For instance, sitting close to a 1080p TV can look almost like watching through a screen door because you can see the individual pixels, even if it's playing a high-quality 1080p HD movie. Increasing your distance to the TV also increases the density of details, producing a better image. Since 4k TVs have such a large density of pixels, it's much more difficult for this issue to arise. You need to be quite close to a fairly large TV for the pixels to be noticeably distracting.
In the late 1980s and early 1990s, monitor and graphics card manufacturers introduced newer high resolution standards that once again included interlace. These monitors ran at higher scanning frequencies, typically allowing a 75 to 90 Hz field rate (i.e. 37.5 to 45 Hz frame rate), and tended to use longer-persistence phosphors in their CRTs, all of which was intended to alleviate flicker and shimmer problems. Such monitors proved generally unpopular, outside of specialist ultra-high-resolution applications such as CAD and DTP which demanded as many pixels as possible, with interlace being a necessary evil and better than trying to use the progressive-scan equivalents. Whilst flicker was often not immediately obvious on these displays, eyestrain and lack of focus nevertheless became a serious problem, and the trade-off for a longer afterglow was reduced brightness and poor response to moving images, leaving visible and often off-colored trails behind. These colored trails were a minor annoyance for monochrome displays, and the generally slower-updating screens used for design or database-query purposes, but much more troublesome for color displays and the faster motions inherent in the increasingly popular window-based operating systems, as well as the full-screen scrolling in WYSIWYG word-processors, spreadsheets, and of course for high-action games. Additionally, the regular, thin horizontal lines common to early GUIs, combined with low color depth that meant window elements were generally high-contrast (indeed, frequently stark black-and-white), made shimmer even more obvious than with otherwise lower fieldrate video applications. As rapid technological advancement made it practical and affordable, barely a decade after the first ultra-high-resolution interlaced upgrades appeared for the IBM PC, to provide sufficiently high pixel clocks and horizontal scan rates for hi-rez progressive-scan modes in first professional and then consumer-grade displays, the practice was soon abandoned. For the rest of the 1990s, monitors and graphics cards instead made great play of their highest stated resolutions being "non-interlaced", even where the overall framerate was barely any higher than what it had been for the interlaced modes (e.g. SVGA at 56p versus 43i to 47i), and usually including a top mode technically exceeding the CRT's actual resolution (number of color-phosphor triads) which meant there was no additional image clarity to be gained through interlacing and/or increasing the signal bandwidth still further. This experience is why the PC industry today remains against interlace in HDTV, and lobbied for the 720p standard, and continues to push for the adoption of 1080p (at 60 Hz for NTSC legacy countries, and 50 Hz for PAL); however, 1080i remains the most common HD broadcast resolution, if only for reasons of backward compatibility with older HDTV hardware that cannot support 1080p - and sometimes not even 720p - without the addition of an external scaler, similar to how and why most SD-focussed digital broadcasting still relies on the otherwise obsolete MPEG2 standard embedded into e.g. DVB-T.
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Gauge has been an actress in pornographic movies since she was 19, working most often under the name Gauge. Her date of birth has also been noted less often and less likely as July 27, 1981 and she has been suspected of working in the porn industry prior to her 18th birthday. Gauge has done it all, including anal, oral, facials, double penetrations, double anal and the newly coined ATM (ass-to-mouth). She is most famous, perhaps to only a limited fan base, for her "anal sex handstand" where she receives anal sex while standing on her hands.Gauge started as a stripper in Arkansas and at the now-closed Platinum Plus in Memphis, Tennessee, where she met her then boyfriend and novice porn actor Mojo, who introduced her to director/actor Ed Powers. Together they made her first porn movie in 2000, More Dirty Debutantes #129. This film caught the attention of porn audiences due to what some would consider its excessively long and aggressive anal scenes.Her youthful appearance, modest breast size and short stature has made her the perfect portrayer for a number of "Lolita" and "teen" roles. She has capitalized on her youthful look by appearing frequently in Lolita roles in her films. Her first official porn shoot was with Ed Powers and her ex-boyfriend Mojo in More Dirty Debutantes #129. She then went on to do her first threesome movie with Ed Powers in More Dirty Debutantes #137, and later was featured in Finally 18. Ostensibly, Gauge's career seemed to come to an end quite quickly. In November 2001 she split with boyfriend Mojo, who had recently proposed, because she'd found that he was engaging in non-professional relations with actress Kendra Jade. Gauge was also 3 months pregnant at the time, although no information is available on the outcome of this pregnancy. Gauge and Mojo continued to work together on a "professional" level even as Gauge began to refer to him as "the asshole" during interviews. It was after this time that Gauge's career took a turn. She began to work as a high priced escort in 2002, charging $1,500 per hour, booking engagements in Los Angeles and New York. Gauge has recounted how she almost died of alcohol poisoning in April 2005 after drinking too much at a strip club she was working at in Arkansas; her blood alcohol level was reported 0.4 (with the legal limit being 0.08).Gauge was married on May 14, 2006 to a man named Jason. 2ff7e9595c
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